Lenny Kravitz, who was born to a black mother and white father, didn’t recognize skin color in his own home as a child. “I grew up in a house full of every color,” he recalls.
Things changed when he went to elementary school.
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“I didn’t know anything about problems until I went to first grade and it was brought to my attention,” the rock singer and guitarist said. “I knew my father looked different than my mother, but I didn’t know that that meant anything. … I had no idea that it was an issue.”
On his latest album, “Black and White America,” 47-year-old Kravitz tackles that “issue” as well as what his parents experienced as an interracial couple in 1960s New York. (Kravitz’s mother starred as Helen Willis in the hit television show “The Jeffersons” in the 1970s and ’80s.)
The Grammy winner’s ninth album, which debuted at No. 17 on the Billboard 200 albums chart last month, was recorded over a two-year period in the Bahamas and Paris.
AP: Talk about the title track on this album.
Lenny: It’s a very special song to me and it’s obviously got a lot to do with who I am. It’s my story. It’s everything I knew growing up. It’s my parents’ story — being an interracial couple growing up in the time of the civil rights movement. And it’s the story of today — what we’re going through, dealing with race and the fact that we have an African-American president.
AP: What was it like recording in the Bahamas?
Kravitz: I live in an old airstream trailer on the beach and I live very simply there. I wanted to get away. I wanted to be away from everybody and everything — technology, I just wanted to be in the nature. I wanted to hear what was inside of me, and I needed time to reflect and feel my spirit, and it was a great time for me as a human being as well as an artist.
AP: Drake is featured on this album. How did that collaboration come about?
Kravitz: When I was doing “Sunflower” and it got to the middle section, I knew that it wasn’t going to be a guitar solo or something, so I just listened and I heard [Drake’s] voice. And same thing with Jay-Z on “Boongie Drop” — it’s like I don’t call somebody because I think, “Oh that would be the move to make.” It’s because the music is telling me and I hear the tones.
